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I was also born at a time when most women knitted as a matter of course, and I had three aunts who had been fisher girls in their youth and were experts at making traditional fishermen's gansies. \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eI understand that your first language is Gaelic -- do you still speak it?\u003cbr\u003e\u003ci\u003eYes I still speak Gaelic. The Isle of Lewis, where I live, is in the Outer Hebrides \u003c\/i\u003e-- \u003ci\u003ethe heartland of Gaelic and the only place where you will hear the language in everyday use. \u003c\/i\u003e\u003cp\u003e\u003c\/p\u003eHow did you get your start professionally?\u003cbr\u003e\u003ci\u003eI designed a small collection of knitwear in 1975 and successfully sold it in London boutiques. It was featured in a national newspaper and from that small beginning my knitting career evolved in ways that were quite unimaginable to me when I began. \u003c\/i\u003e\u003cp\u003e\u003c\/p\u003eYour books are known and loved around the world, and you've adapted design elements from the textile arts of many countries into your repertoire. Are you still discovering new aspects of knitting and fabric arts from other cultures?\u003cbr\u003e\u003ci\u003eI am interested in everything. I find inspiration in all aspects of the world around me. There is enough inspiration in the natural world on my doorstep to last many lifetimes. I am also inspired by art, culture, history, science and music. My own culture features widely in my design work but I have always been interested in other cultures and in other places. 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In this guide, she presents a fascinating history of Aran knitting and an analysis of the traditional style, in addition to a complete workshop in technique, pattern, and design. \u003cbr\u003eHighly recommended by \u003ci\u003eLibrary\u003c\/i\u003e \u003ci\u003eJournal, \u003c\/i\u003e this volume offers step-by-step instructions, photographs, and drawings. It provides complete directions and charted patterns for the original edition's fourteen designs -- many of them reknit in contemporary yarns -- plus a new design. Patterns include the St. Brigid, one of the author's most popular hand-knitted designs, which represents a step forward from Aran knitting into the realm of Celtic design. Brilliant color photographs depict all of the finished caps, sweaters, and shawls. Sixty easy-to-read charted patterns guide readers through the design process and encourage the development of unique patterns. 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She has written 16 books and countless magazine articles, and her classic \u003ci\u003eBook of\u003c\/i\u003e \u003ci\u003eFair Isle Knitting\u003c\/i\u003e is the work that introduced Americans to the popular traditional technique. \u003c\/p\u003e\u003cp\u003e\u003cb\u003e4 Questions with Alice Starmore: An Exclusive Dover Interview \u003cbr\u003e\u003c\/b\u003eAlice Starmore has a fascinating tale to tell. We spoke to the author of the #1 crafts bestseller Alice Starmore's \u003ci\u003eBook of Fair Isle Knitting\u003c\/i\u003e about her knitting background, professional start, and more. \u003c\/p\u003e\u003cp\u003eClearly, knitting is a deeply ingrained facet of the culture of Scotland's Outer Hebrides. Did your mother teach you to knit? \u003cbr\u003e\u003ci\u003eMy mother taught me to knit when I was very young. She was a dressmaker as well as a knitter and our house was a place of constant creativity. I was also born at a time when most women knitted as a matter of course, and I had three aunts who had been fisher girls in their youth and were experts at making traditional fishermen's gansies. \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eI understand that your first language is Gaelic -- do you still speak it?\u003cbr\u003e\u003ci\u003eYes I still speak Gaelic. The Isle of Lewis, where I live, is in the Outer Hebrides \u003c\/i\u003e-- \u003ci\u003ethe heartland of Gaelic and the only place where you will hear the language in everyday use. \u003c\/i\u003e\u003cp\u003e\u003c\/p\u003eHow did you get your start professionally?\u003cbr\u003e\u003ci\u003eI designed a small collection of knitwear in 1975 and successfully sold it in London boutiques. It was featured in a national newspaper and from that small beginning my knitting career evolved in ways that were quite unimaginable to me when I began. \u003c\/i\u003e\u003cp\u003e\u003c\/p\u003eYour books are known and loved around the world, and you've adapted design elements from the textile arts of many countries into your repertoire. Are you still discovering new aspects of knitting and fabric arts from other cultures?\u003cbr\u003e\u003ci\u003eI am interested in everything. I find inspiration in all aspects of the world around me. There is enough inspiration in the natural world on my doorstep to last many lifetimes. I am also inspired by art, culture, history, science and music. My own culture features widely in my design work but I have always been interested in other cultures and in other places. 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Relaxing and peaceful country images are printed on only one side of perforated white paper for easy removal and display of finished pieces. The designs are perfect for markers, crayons, watercolor pencils, and other media. Specially designed for the experienced colorist, \u003ci\u003eCountry Scenes \u003c\/i\u003eand other Creative Haven(R) adult coloring books offer an escape to a world of inspiration and artistic fulfillment. Each title is also an effective and fun-filled way to relax and reduce stress. 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