{"product_id":"cinema-concept-practice-9781138584273","title":"Cinema: Concept \u0026 Practice","description":"\u003cp\u003eIn this unique study of the process of filmmaking, director Edward Dmytryk blends abstract film theory and the practical realities of feature film production to provide an artful and elegant analysis of the conceptual foundations of filmmaking and film studies. Dmytryk explores the technical principles underlying the craft of filmmaking and how their use is effective in developing the viewer's involvement in the cinematic narrative. \u003c\/p\u003e \u003cp\u003e\u003c\/p\u003e \u003cp\u003eOriginally published in 1988, this reissue of Dmytryk's classic book includes a new critical introduction by Joe McElhaney.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Edward Dmytryk\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Routledge\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 10\/11\/2018\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 156\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.50lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 8.50h x 5.50w x 0.50d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9781138584273\u003cbr\u003e\u003cp\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEdward Dmytryk\u003c\/strong\u003e (1908-1999) was an Oscar-nominated American filmmaker, educator, and writer. Over an acclaimed forty-year filmmaking career, Dmytryk directed over fifty award-winning films, including \u003ci\u003eCrossfire \u003c\/i\u003e(1947), \u003ci\u003eThe Caine Mutiny \u003c\/i\u003e(1954), \u003ci\u003eRaintree County\u003c\/i\u003e (1957), and \u003ci\u003eThe Young Lions\u003c\/i\u003e (1958). Entering academic in the 1970s, Dmytryk lectured on both film and directing, first at the University of Texas at Austin and later at the University of Southern California. He is the author of several classic books on the art of filmmaking, including \u003ci\u003eOn Film Editing\u003c\/i\u003e, \u003ci\u003eOn Screen Directing\u003c\/i\u003e, \u003ci\u003eOn Screen Writing\u003c\/i\u003e, \u003ci\u003eOn Screen Acting\u003c\/i\u003e, and \u003ci\u003eCinema: Concept \u0026amp; Practice\u003c\/i\u003e, all published by Focal Press\/Routledge.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eJoe McElhaney\u003c\/strong\u003e (contributor) is the author of \u003cem\u003eThe Death of Classical Cinema: Hitchcock, Lang, Minnelli\u003c\/em\u003e (2006) and \u003cem\u003eAlbert Maysles\u003c\/em\u003e (2009), and the editor of \u003cem\u003eVincente Minnelli: The Art of Entertainment\u003c\/em\u003e (2009) and \u003cem\u003eA Companion to Fritz Lang\u003c\/em\u003e (2015). His numerous publications in major film journals and edited volumes include essays on the work of Howard Hawks, Preston Sturges, Roman Polanski, Chris Marker, and R.W. Fassbinder. He is Professor of Film Studies at Hunter College of the City University of New York.\u003c\/p\u003e\u003cbr\u003e","brand":"Routledge","offers":[{"title":"Paperback","offer_id":44413273407603,"sku":"9781138584273","price":86.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/9255\/0515\/files\/img_e1686866-a4f1-4c4d-bda3-9c1b8478bcae.jpg?v=1772110751","url":"https:\/\/bookstorenmore.com\/en-de\/products\/cinema-concept-practice-9781138584273","provider":"Bookstore N More","version":"1.0","type":"link"}