{"product_id":"deleuze-and-music-9780748618699","title":"Deleuze and Music","description":"What would a Deleuzian music philosophy be like? For Deleuze, music informed his work on several levels. He did not merely write about music, it formed part of his thinking. \u003ci\u003eDeleuze and Music\u003c\/i\u003e is the first volume to explore Deleuze's ideas from the perspective of music and sound. Music is central to Deleuze's work from \u003ci\u003eDifference and Repetition\u003c\/i\u003e and the \u003ci\u003eLogic of Sense\u003c\/i\u003e to \u003ci\u003eKafka: Towards a Minor Literature\u003c\/i\u003e and \u003ci\u003eA Thousand Plateaus\u003c\/i\u003e (both written with Félix Guattari), music and sound-based problems contribute a great deal to the originality and singularity of his thought.The essays in this volume explore a variety of these problems and their relevance to key debates in a number of areas including ethics, aesthetics, politics, epistemology and the history of ideas. They collectively demonstrate how music functions in Deleuze's work, exploring how at key stages in his thought ideas of melody, rhythm, harmony, counterpoint and the refrain provide the frame of reference for his immanent ontology, his Spinozist ethology and his (and Guattari's) politics of the 'people yet to come'. Furthermore, they show how music proves the exemplary medium for further exploring and developing his 'rhizomatic' conception of thought. The volume provides a much-needed addition to the growing body of secondary work on Deleuze and will be of interest to students and researchers working across a diverse range of disiciplines, including philosophy and cultural and critical theory as well as art history, musicology and ethnomusicology.Features: *The first book on Deleuze in relation to music covering all of the key Deleuzian texts*Covers different types of music, jazz, pop music, electronic music, heavy metal and improvised music*Demonstrate how music functions in Deleuze's work, exploring how ideas of melody, rhythm, harmony, counterpoint and the refrain shape his philosophical thinking.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Ian Buchanan\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Edinburgh University Press\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 07\/19\/2004\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 240\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.79lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.16h x 6.42w x 0.51d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9780748618699\u003cbr\u003e\u003cp\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIan Buchanan is Professor of Cultural Studies and Critical Theory at the University of Wollongong, Australia. He is the founding editor of the journal \u003ci\u003eDeleuze and Guattari Studies\u003c\/i\u003e and the author of \u003ci\u003eAssemblage Theory and Method\u003c\/i\u003e (Bloomsbury, 2020). \u003c\/p\u003e\u003cp\u003eMarcel Swiboda is an Associate Lecturer in the School of Fine Art, History of Art \u0026amp; Cultural Studies at the University of Leeds. He is reviews editor of \u003ci\u003eParallax\u003c\/i\u003e, a journal in philosophical Cultural Studies.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Edinburgh University Press","offers":[{"title":"Paperback","offer_id":40747503353971,"sku":"9.78075E+12","price":62.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/9255\/0515\/products\/img_3b233149-6491-437c-baea-b24e59f5dc71.jpg?v=1678201685","url":"https:\/\/bookstorenmore.com\/en-de\/products\/deleuze-and-music-9780748618699","provider":"Bookstore N More","version":"1.0","type":"link"}