{"product_id":"experimentalisms-in-practice-music-perspectives-from-latin-america-9780190842758","title":"Experimentalisms in Practice: Music Perspectives from Latin America","description":"\u003cem\u003eExperimentalisms in Practice\u003c\/em\u003e explores the multiple sites in which experimentalism emerges and becomes meaningful beyond Eurocentric interpretative frameworks. Challenging the notion of experimentalism as defined in conventional narratives, contributors take a broad approach to a wide variety\u003cbr\u003eof Latin@ and Latin American music traditions conceived or perceived as experimental. The conversation takes as starting point the 1960s, a decade that marks a crucial political and epistemological moment for Latin America; militant and committed aesthetic practices resonated with this moment, \u003cbr\u003eresulting in a multiplicity of artistic and musical experimental expressions. \u003cp\u003e\u003c\/p\u003e\u003cem\u003eExperimentalisms in Practice\u003c\/em\u003e responds to recent efforts to reframe and reconceptualize the study of experimental music in terms of epistemological perspective and geographic scope, while also engaging traditional scholarship. This book contributes to the current conversations about music\u003cbr\u003eexperimentalism while providing new points of entry to further reevaluate the field.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Ana R. Alonso-Minutti\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Oxford University Press, USA\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 01\/29\/2018\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 368\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.10lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.10h x 6.00w x 1.00d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9780190842758\u003cbr\u003e\u003cp\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAna R. Alonso- Minutti \u003c\/strong\u003eis associate professor of music and faculty affiliate of the Latin American and Iberian Institute at the University of New Mexico. She holds a Ph.D. in musicology from the University of California, Davis. Her teaching and research endeavors blend musicological and\u003cbr\u003eethnomusicological inquiry into the study of contemporary musical practices across the Americas. Her scholarship focuses on experimental and avant- garde expressions, music traditions from Mexico and the US- Mexico border, and music history pedagogy. She has published in \u003cem\u003eLatin American Music Review, \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRevista Argentina de Musicología, Journal of Music History Pedagogy, Pauta\u003c\/em\u003e, and elsewhere and her book \u003cem\u003eMario Lavista and Musical Cosmopolitanism in Late Twentieth- Century Mexico\u003c\/em\u003e is under contract with Oxford University Press. As an extension of her written scholarship she directed and produced the\u003cbr\u003evideo documentary \u003cem\u003eCubos y permutaciones: Plástica, música y poesía de vanguardia en México.\u003c\/em\u003e Prior to joining the University of New Mexico, she was assistant professor of music at the University of North Texas. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cstrong\u003eEduardo Herrera\u003c\/strong\u003e is assistant professor in ethnomusicology and music history at Rutgers, The State University of New Jersey. He received a Ph.D. in ethnomusicology from the University of Illinois at Urbana- Champaign and specializes in contemporary musical practices from Spanish- and Portuguese-\u003cbr\u003espeaking Latin America. His book, \u003cem\u003eElite Art Worlds: Philanthropy, Latin Americanism, and Avant- garde Music\u003c\/em\u003e (under contract with Oxford University Press), considers the history of the Centro Latinoamericano de Altos Estudios Musicales (1962- 1971) as a meeting point of US and Argentine philanthropy, \u003cbr\u003eframings of pan- regional discourses of musical Latin Americanism, and local experiences in transnational currents of artistic experimentation and innovation. His second book project explores participatory music making in Argentine soccer stadiums and is titled \u003cem\u003eSounding- in- Synchrony: Masculinity, \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eViolence, and Soccer Chants.\u003c\/em\u003e He has delivered papers and guest lectures in the United States, Canada, Mexico, Colombia, Cuba, Brazil, Venezuela, and Argentina. He is a board member of the Society for American Music and council member of the American Musicological Society. \u003cp\u003e\u003c\/p\u003e\u003cstrong\u003eAlejandro L. Madrid\u003c\/strong\u003e is author or editor of more than half a dozen books and edited volumes about the intersection of modernity, tradition, globalization, and ethnic identity in popular and art music, dance, and expressive culture of Mexico, the US- Mexico border, and the circum- Caribbean. His work\u003cbr\u003ehas received the Mexico Humanities Book Award from the Latin American Studies Association, the Robert M. Stevenson and Ruth A. Solie awards from the American Musicological Society, the Béla Bartók Award from the ASCAP Foundation Deems Taylor\/ Virgil Thomson Awards, the Woody Guthrie Book Award from\u003cbr\u003ethe International Association for the Study of Popular Music- U.S. Branch, the Casa de las Américas Award for Latin American musicology, and the Samuel Claro Valdés Award for Latin American musicology. He is also the recipient of the 2017 Dent Medal, given by the Royal Musical Association and the\u003cbr\u003eInternational Musicological Society. Madrid is frequently invited as an expert commentator on national and international media outlets and most recently acted as advisor on the use of Mexican music to filmmaker Peter Greenaway, whose latest film, \u003cem\u003eEisenstein in Guanajuato\u003c\/em\u003e, is set in 1930s Mexico. He\u003cbr\u003eis professor of musicology and ethnomusicology at Cornell University.\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003ci\u003eThis title is not returnable\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Oxford University Press, USA","offers":[{"title":"Paperback","offer_id":40287220236403,"sku":"9.78019E+12","price":46.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/9255\/0515\/products\/img_95ecfeca-060f-4993-bf60-90f1e2aaa5b9.jpg?v=1658236129","url":"https:\/\/bookstorenmore.com\/en-de\/products\/experimentalisms-in-practice-music-perspectives-from-latin-america-9780190842758","provider":"Bookstore N More","version":"1.0","type":"link"}