{"product_id":"greek-tragic-women-on-shakespearean-stages-9780198793113","title":"Greek Tragic Women on Shakespearean Stages","description":"\u003cem\u003eGreek Tragic Women on Shakespearean Stages\u003c\/em\u003e argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England's dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays most popular in the period were not male-centered dramas such as Sophocles' \u003cem\u003eOedipus, \u003c\/em\u003e but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period's writings, these iconic female figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the\u003cbr\u003emost prominent of these figures: 'What's Hecuba to him, or he to Hecuba\/ That he should weep for her?' \u003cp\u003e\u003c\/p\u003eThrough readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Tanya Pollard\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Oxford University Press, USA\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 11\/21\/2017\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 320\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.19lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 8.60h x 5.40w x 1.10d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9780198793113\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReview Citation(s): \u003c\/b\u003e\u003cbr\u003e\u003ci\u003eChoice\u003c\/i\u003e 07\/01\/2018\u003cbr\u003e\u003cp\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eTanya Pollard, \u003cem\u003eProfessor, English Department, Brooklyn College and the Graduate Center, City University of New York\u003c\/em\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eTanya Pollard is Professor of English at Brooklyn College and the CUNY Graduate Center, and a member of the Council of Scholars for Theater for a New Audience. Her books include \u003cem\u003eShakespeare's Theater: A Sourcebook\u003c\/em\u003e (Blackwell, 2003); \u003cem\u003eDrugs and Theater in Early Modern England\u003c\/em\u003e (Oxford, 2005); and \u003cem\u003eShakespearean Sensations: Experiencing Literature in Early Modern England\u003c\/em\u003e, co-edited with Katharine Craik (Cambridge, 2013). With Tania Demetriou, she has co-edited \u003cem\u003eMilton, Drama, and Greek Texts\u003c\/em\u003e, a special issue of \u003cem\u003eThe Seventeenth Century Journal\u003c\/em\u003e (2016), and \u003cem\u003eHomer and Greek Tragedy in Early Modern England's Theatres\u003c\/em\u003e, a special issue of \u003cem\u003eClassical Receptions Journal\u003c\/em\u003e (2017).\u003cbr\u003e\u003cbr\u003e","brand":"Oxford University Press, USA","offers":[{"title":"Hardcover","offer_id":40822397075571,"sku":"9.7802E+12","price":165.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/9255\/0515\/products\/img_1f36c394-6014-4e07-9261-8a66c173424a.jpg?v=1683723122","url":"https:\/\/bookstorenmore.com\/en-de\/products\/greek-tragic-women-on-shakespearean-stages-9780198793113","provider":"Bookstore N More","version":"1.0","type":"link"}