{"product_id":"corporeality-in-early-cinema-viscera-skin-and-physical-form-9780253033659","title":"Corporeality in Early Cinema: Viscera, Skin, and Physical Form","description":"\u003cp\u003e\u003cem\u003eCorporeality in Early Cinema\u003c\/em\u003e inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on- and offscreen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eAudience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators have always taken away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen.\u003cbr\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Marina Dahlquist\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Indiana University Press\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 10\/16\/2018\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 370\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.09lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.00h x 6.00w x 0.77d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9780253033659\u003cbr\u003e\u003cp\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMarina Dahlquist is Associate Professor of Cinema Studies at Stockholm University. She is editor of \u003ci\u003eExporting Perilous Pauline: Pearl White and the Serial Film Craze\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eJan Olsson is Professor of Cinema Studies and former Head of Department at Stockholm University. He is author of \u003ci\u003eHitchcock à la Carte\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eValentine Robert is Lecturer of Film Studies at the University of Lausanne. She is editor (with Laurent Le Forestier and François Albera) of \u003ci\u003eLe Film sur l'art. Entre histoire de l'art et documentaire de creation\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eDoron Galili is Research Fellow in the Department of Media Studies at Stockholm University. \u003c\/p\u003e\u003cbr\u003e","brand":"Indiana University Press","offers":[{"title":"Paperback","offer_id":39943784792179,"sku":"9.78E+12","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/9255\/0515\/products\/img_ce5c1010-07d5-45f0-a423-4c8ce82d16cc.jpg?v=1648215525","url":"https:\/\/bookstorenmore.com\/products\/corporeality-in-early-cinema-viscera-skin-and-physical-form-9780253033659","provider":"Bookstore N More","version":"1.0","type":"link"}