{"product_id":"dawn-of-the-daw-the-studio-as-musical-instrument-9780190296612","title":"Dawn of the Daw: The Studio as Musical Instrument","description":"\u003cp\u003e\u003cem\u003eDawn ot the DAW\u003c\/em\u003e tells the story of how the dividing line between the traditional roles of musicians and recording studio personnel (producers, recording engineers, mixing engineers, technicians, etc.) has eroded throughout the latter half of the twentieth century to the present. Whereas those equally adept in music and technology such as Raymond Scott and Les Paul were exceptions to their eras, the millennial music maker is ensconced in a world in which the symbiosis of music and technology is commonplace. As audio production skills such as recording, editing, and mixing are increasingly co-opted by musicians teaching themselves in their do-it-yourself (DIY) recording studios, conventions of how music production is taught and practiced are remixed to reflect this reality.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eDawn of the DAW\u003c\/em\u003e first examines DIY recording practices within the context of recording history from the late nineteenth century to the present. Second, \u003cem\u003eDawn of the DAW \u003c\/em\u003ediscusses the concept of \"the studio as musical instrument\" and the role of the producer, detailing how these constructs have evolved throughout the history of recorded music in tandem. Third, \u003cem\u003eDawn of the DAW\u003c\/em\u003e details current practices of DIY recording--how recording technologies are incorporated into music making, and how they are learned by DIY studio users in the musically--chic borough of Brooklyn. Finally, \u003cem\u003eDawn of the\u003c\/em\u003e \u003cem\u003eDAW\u003c\/em\u003e examines the broader trends heard throughout, summarizing the different models of learning and approaches to music making. \u003cem\u003eDawn of the DAW \u003c\/em\u003econcludes by discussing the ramifications of these new directions for the field of music education.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Adam Patrick Bell\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Oxford University Press, USA\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 03\/01\/2018\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 248\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.90lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.10h x 6.10w x 0.60d\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9780190296612\u003cbr\u003e\u003cp\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAdam Patrick Bell is an Assistant Professor of Music Education in the School of Creative and Performing Arts at the University of Calgary, Canada. He has written several peer-reviewed articles and chapters on the topics of music technology in music education, and disability in music education. Prior to his career in higher education, Bell worked as a kindergarten teacher, elementary music teacher, and support worker for adolescents with disabilities. Bell has also worked as a freelance producer, creating commercial music for clients including Coca-Cola.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThis title is not returnable\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Oxford University Press, USA","offers":[{"title":"Paperback","offer_id":40189590372467,"sku":"9.78019E+12","price":52.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/9255\/0515\/products\/img_6e46d05b-7ae3-4922-ada5-3b5f2bcfd82a.jpg?v=1655816837","url":"https:\/\/bookstorenmore.com\/products\/dawn-of-the-daw-the-studio-as-musical-instrument-9780190296612","provider":"Bookstore N More","version":"1.0","type":"link"}