Aftermath

Stunning... poetic, urgent. [Taneja] turns a critical lens toward the way language shapes violence, suggesting that 'power tells a story to sustain itself, it has no empathy for those it harms.'--Publishers Weekly, Starred Review

Usman Khan was convicted of terrorism-related offenses at age 20, and sent to high-security prison. He was released eight years later, and allowed to travel to London for one day, to attend an event marking the fifth anniversary of a prison education program he participated in. On November 29, 2019, he sat with others at Fishmongers' Hall, some of whom he knew. Then he went to the restroom to retrieve the things he had hidden there: a fake bomb vest and two knives, which he taped to his wrists. That day, he killed two people: Saskia Jones and Jack Merritt.

Preti Taneja taught fiction writing in prison for three years. Merritt oversaw her program; Khan was one of her students. "It is the immediate aftermath," Taneja writes. "'I am living at the centre of a wound still fresh.' The I is not only mine. It belongs to many."

In this searching lament by the award-winning author of We That Are Young, Taneja interrogates the language of terror, trauma and grief; the fictions we believe and the voices we exclude. Contending with the pain of unspeakable loss set against public tragedy, she draws on history, memory, and powerful poetic predecessors to reckon with the systemic nature of atrocity. Blurring genre and form, Aftermath is a profound attempt to regain trust after violence and to recapture a politics of hope through a determined dream of abolition.

Aftermath is part of the Undelivered Lectures series from Transit Books.

Author: Preti Taneja
Publisher: Transit Books
Published: 11/30/2021
Pages: 239
Binding Type: Paperback
Weight: 0.50lbs
Size: 6.90h x 5.00w x 0.60d
ISBN: 9781945492549

About the Author

Preti Taneja teaches writing in prison, and lectures in Creative Writing at Newcastle University, UK. Her novel, We That Are Young (Knopf), won the 2018 Desmond Elliott Prize for the UK's best debut of the year. It was a Guardian, The Sunday Times, and the Spectator Book of the Year, and has been translated into several languages.