Art beyond Itself: Anthropology for a Society without a Story Line

First published in Spanish in 2010, Art beyond Itself is N stor Garc a Canclini's deft assessment of contemporary art. The renowned cultural critic suggests that, ideally, art is the place of imminence, the place where we glimpse something just about to happen. Yet, as he demonstrates, defining contemporary art and its role in society is an ever more complicated endeavor. Museums, auction houses, artists, and major actors in economics, politics, and the media are increasingly chummy and interdependent. Art is expanding into urban development and the design and tourism industries. Art practices based on objects are displaced by practices based on contexts. Aesthetic distinctions dissolve as artworks are inserted into the media, urban spaces, digital networks, and social forums. Oppositional artists are adrift in a society without a clear story line. What, after all, counts as transgression in a world of diverse and fragmentary narratives? Seeking a new analytic framework for understanding contemporary art, Garc a Canclini is attentive to particular artworks; to artists including Francis Alÿs, Le n Ferrari, Teresa Margolles, Antoni Muntadas, and Gabriel Orozco; and to efforts to preserve, for art and artists, some degree of independence from religion, politics, the media, and the market.

Author: Néstor García Canclini
Publisher: Duke University Press
Published: 05/02/2014
Pages: 201
Binding Type: Paperback
Weight: 0.70lbs
Size: 9.10h x 6.00w x 0.60d
ISBN: 9780822356233

About the Author

Néstor García Canclini is Distinguished Professor of Anthropology at the Universidad Autónoma Metropolitana in Mexico City. Born in Argentina, he has lived in Mexico for many years. He is an anthropologist and cultural critic originally trained as a philosopher. Among the many books that he has written, those available in English are Hybrid Cultures: Strategies for Entering and Leaving Modernity, Consumers and Citizens: Globalization and Multicultural Conflict, Transforming Modernity: Popular Culture in Mexico, and Imagined Globalization, which is published by Duke University Press.