Oxford University Press, USA
Bach & God
Bach & God
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rhythms, and tone colors can make contributions to a work's plausible meanings that go beyond setting texts in an aesthetically satisfying manner. In some of Bach's vocal repertory, the music puts a spin on the words in a way that turns out to be explainable as orthodox Lutheran in its
orientation. In a few of Bach's vocal works, his otherwise puzzlingly fierce musical settings serve to underscore now unrecognized or unacknowledged verbal polemics, most unsettlingly so in the case of his church cantatas that express contempt for Jews and Judaism. Finally, even Bach's secular
instrumental music, particularly the late collections of abstract learned counterpoint, can powerfully project certain elements of traditional Lutheran theology. Bach's music is inexhaustible, and Bach & God suggests that through close contextual study there is always more to discover and learn.
Author: Michael Marissen
Publisher: Oxford University Press, USA
Published: 05/18/2016
Pages: 282
Binding Type: Hardcover
Weight: 0.90lbs
Size: 8.30h x 5.70w x 1.10d
ISBN: 9780190606954
Review Citation(s):
Choice 02/01/2017
About the Author
Michael Marissen is Daniel Underhill Professor Emeritus of Music at Swarthmore College, where he taught from 1989 to 2014. He has also been a visiting professor on the graduate faculties at Princeton University and the University of Pennsylvania. His publications include The Social and Religious
Designs of J. S. Bach's Brandenburg Concertos (Princeton, 1995), Lutheranism, anti-Judaism, and Bach's St. John Passion (Oxford, 1998), An Introduction to Bach Studies (co-author Daniel Melamed; Oxford, 1998), Bach's Oratorios (Oxford, 2008), Tainted Glory in Handel's Messiah (Yale, 2014), and
essays in Lutheran Quarterly, Harvard Theological Review, The Huffington Post, and The New York Times.
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