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Indiana University Press

Bike Boys, Drag Queens, and Superstars: Avant-Garde, Mass Culture, and Gay Identities in the 1960s Underground Cinema

Bike Boys, Drag Queens, and Superstars: Avant-Garde, Mass Culture, and Gay Identities in the 1960s Underground Cinema

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This comprehensive, insightful study demonstrates that 1960s New York underground film fused 'artistic innovation and the exploration of everyday life' and distinctively interacted with mass culture.' --Choice

. . . thoroughly researched [and] engaging text . . . --Library Journal

This is a very timely and welcome book. . . . intervenes very effectively to rewrite the history of the 1960s American underground cinema. --UTS Review

At the confluence of experimental art and the gay subculture of early 1960s New York, Juan Suárez discovers a postmodern, gay-influenced aesthetic that recycles popular culture. Filmmakers Kenneth Anger, Jack Smith, and Andy Warhol epitomize this sensibility, combining the influences of European avant-garde movements, comic books, rock 'n' roll, camp, film cults, drag performances, fashion, and urban street cultures.



Author: Juan A. Suarez
Publisher: Indiana University Press
Published: 03/22/1996
Pages: 384
Binding Type: Hardcover
Weight: 1.30lbs
Size: 8.79h x 5.19w x 1.21d
ISBN: 9780253329714

Review Citation(s):
Kirkus Reviews 01/01/1996 pg. 56
Library Journal 06/01/1996 pg. 110

About the Author

JUAN A. SUÁREZ is Assistant Professor of English at the Universidad de Murcia, Spain.


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