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Duke University Press
Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton
Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton
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In Blutopia Graham Lock studies the music and thought of three pioneering twentieth-century musicians: Sun Ra, Duke Ellington, and Anthony Braxton. Providing an alternative to previous analyses of their work, Lock shows how these distinctive artists were each influenced by a common musical and spiritual heritage and participated in self-conscious efforts to create a utopian vision of the future.
A century after Ellington's birth, Lock reassesses his use of music as a form of black history and compares the different approaches of Ra, a band leader who focused on the future and cosmology, and Braxton, a contemporary composer whose work creates its own elaborate mythology. Arguing that the majority of writing on black music and musicians has-even if inadvertently-incorporated racial stereotypes, he explains how each artist reacted to criticism and sought to break free of categorical confines. Drawing on social history, musicology, biography, cultural theory, and, most of all, statements by the musicians themselves, Lock writes of their influential work.
Blutopia will be a welcome contribution to the literature on twentieth-century African American music and creativity. It will interest students of jazz, American music, African American studies, American culture, and cultural studies.
Author: Graham Lock
Publisher: Duke University Press
Published: 01/13/2000
Pages: 336
Binding Type: Paperback
Weight: 1.19lbs
Size: 9.33h x 5.78w x 0.96d
ISBN: 9780822324409
Review Citation(s):
Library Journal 12/01/1999 pg. 138
Booklist 01/01/2000 pg. 854
Foreword 02/01/2000 pg. 63
A century after Ellington's birth, Lock reassesses his use of music as a form of black history and compares the different approaches of Ra, a band leader who focused on the future and cosmology, and Braxton, a contemporary composer whose work creates its own elaborate mythology. Arguing that the majority of writing on black music and musicians has-even if inadvertently-incorporated racial stereotypes, he explains how each artist reacted to criticism and sought to break free of categorical confines. Drawing on social history, musicology, biography, cultural theory, and, most of all, statements by the musicians themselves, Lock writes of their influential work.
Blutopia will be a welcome contribution to the literature on twentieth-century African American music and creativity. It will interest students of jazz, American music, African American studies, American culture, and cultural studies.
Author: Graham Lock
Publisher: Duke University Press
Published: 01/13/2000
Pages: 336
Binding Type: Paperback
Weight: 1.19lbs
Size: 9.33h x 5.78w x 0.96d
ISBN: 9780822324409
Review Citation(s):
Library Journal 12/01/1999 pg. 138
Booklist 01/01/2000 pg. 854
Foreword 02/01/2000 pg. 63
About the Author
Graham Lock is Special Lecturer in American Music at the University of Nottingham. He is the author of numerous articles, reviews, and books, including Forces in Motion: Anthony Braxton and the Meta-reality of Creative Music and Chasing the Vibration: Meetings with Creative Musicians.
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