Borderlines: The Shiftings of Gender in British Romanticism

Opening with the revolution-era debates of the 1790s, Borderlines reads Romantic genders across a mobile syntax, tuned to such figures as the stylized feminine poetess, the aberrant masculine woman, male poets deemed feminine or unmanly, the campy male effeminate, and hapless or strategic cross-dressers of both sexes. With fresh readings of the works, careers, and volatile receptions of Mary Wollstonecraft, Felicia Hemans, M. J. Jewsbury, Lord Byron, and John Keats, Susan Wolfson shows how senses (and sensations) of gender shape and get shaped by sign systems that prove arbitrary, fluid, and susceptible of lively transformation.

Author: Susan J. Wolfson
Publisher: Stanford University Press
Published: 12/16/2008
Pages: 456
Binding Type: Paperback
Weight: 1.36lbs
Size: 9.05h x 6.26w x 0.94d
ISBN: 9780804761055

About the Author
Susan J. Wolfson is also the author of Formal Charges: The Shaping of Poetry in British Romanticism (Stanford, 1997; 1999), awarded Outstanding Book of the Year by the American Conference on Romanticism.