Fantasies of Improvisation: Free Playing in Nineteenth-Century Music

The first history of keyboard improvisation in European music in the postclassical and romantic periods, Fantasies of Improvisation: Free Playing in Nineteenth-Century Music documents practices of improvisation on the piano and the organ, with a particular emphasis on free fantasies and other forms of free playing. Case studies of performers such as Abbé Vogler, J. N. Hummel, Ignaz Moscheles, Robert Schumann, Carl Loewe, and Franz Liszt describe in detail the motives, intentions, and musical styles of the nineteenth century's leading improvisers. Grounded in primary sources, the book further discusses the reception and valuation of improvisational performances by colleagues, audiences, and critics, which prompted many keyboardists to stop improvising. Author Dana Gooley argues that amidst the decline of improvisational practices in the first half of the nineteenth century there emerged a strong and influential idea of improvisation as an ideal or perfect performance. This idea,
spawned and nourished by romanticism, preserved the aesthetic, social, and ethical values associated with improvisation, calling into question the supposed triumph of the work.


Author: Dana Gooley
Publisher: Oxford University Press, USA
Published: 06/12/2018
Pages: 314
Binding Type: Hardcover
Weight: 1.19lbs
Size: 9.40h x 6.20w x 1.20d
ISBN: 9780190633585

Review Citation(s):
Choice 02/01/2019

About the Author

Dana Gooley is Associate Professor of Music at Brown University. His research centers on European music and musical culture in the nineteenth century, with an emphasis on performance, reception, and criticism. A specialist of Franz Liszt, he has published The Virtuoso Liszt (Cambridge, 2004) and
co-edited two essay collections, Franz Liszt and His World (Princeton, 2006) and Franz Liszt: Musicien Européen (Editions Vrin, 2012). He has also published articles on music criticism, musical mediation, improvisation, cosmopolitanism, and jazz. Gooley studied classical piano at New England
Conservatory and is a self-taught jazz pianist. With his quintet he hosts the Sunday night jam session at Boston's historic jazz club Wally's Café.

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