Henri Michaux: Poetry, Painting, and the Universal Sign

Henri Michaux is widely recognized as a major twentieth-century French poet and painter. Although his fascination with universal languages has attracted the attention of several of his critics, it has up until now been treated as a marginal concern. Henri Michaux: Poetry, Painting, and the Universal Sign argues that his ideas on what might constitute a universal language are central to an understanding of his works. It suggests that both his ambivalent articulation of his relationship to the languages and literary traditions of his native Belgium and adoptive France, and his efforts simultaneously to exacerbate and subvert the differences between words and images, are rooted in Enlightenment theories of the relationship of the self to nature and its language

Rigaud-Drayton's study makes a substantial and original contribution to the study of this complex artist, exploring the intricate relationships between word and image in his poetry and paintings, and his quest for a single, unifying language or sign.


Author: Margaret Rigaud-Drayton
Publisher: Clarendon Press
Published: 05/01/2005
Pages: 200
Binding Type: Hardcover
Weight: 0.82lbs
Size: 5.88h x 8.71w x 0.68d
ISBN: 9780199277988

Review Citation(s):
Choice 07/01/2006 pg. 1998

About the Author

Margaret Rigaud-Drayton is College Lecturer in French at Christ's College Cambridge. She has previously been Lecturer in French at the University of Virginia; Senior Scholar at St Hugh's College, Oxford; and Professeur Eleve Stagiaire, Ecole Normale Supérieure de Fontenay-aux-Roses.

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