Oxford University Press, USA
Highway 61 Revisited: The Tangled Roots of American Jazz, Blues, Rock, & Country Music
Highway 61 Revisited: The Tangled Roots of American Jazz, Blues, Rock, & Country Music
Regular price
€44,95 EUR
Regular price
Sale price
€44,95 EUR
Unit price
per
Shipping calculated at checkout.
Couldn't load pickup availability
What do Louis Armstrong, Ray Charles, Bob Dylan, Willie Nelson, Tom Waits, Cassandra Wilson, and Ani DiFranco have in common? In Highway 61 Revisited, acclaimed music critic Gene Santoro says the answer is jazz--not just the musical style, but jazz's distinctive ambiance and attitudes.
As legendary bebop rebel Charlie Parker once put it, If you don't live it, it won't come out of your horn. Unwinding that Zen-like statement, Santoro traces how jazz's existential art has infused outstanding musicians in nearly every wing of American popular music--blues, folk, gospel,
psychedelic rock, country, bluegrass, soul, funk, hiphop--with its parallel process of self-discovery and artistic creation through musical improvisation. Taking less-traveled paths through the last century of American pop, Highway 61 Revisited maps unexpected musical and cultural links between such
apparently disparate figures as Louis Armstrong, Willie Nelson, Bob Dylan and Herbie Hancock; Miles Davis, Lenny Bruce, The Grateful Dead, Bruce Springsteen, and many others. Focusing on jazz's power to connect, Santoro shows how the jazz milieu created a fertile space where whites and blacks could
meet in America on something like equal grounds, and indeed where art and entertainment, politics and poetry, mainstream culture and its subversive offshoots were drawn together in a heady mix whose influence has proved both far-reaching and seemingly inexhaustible.
Combining interviews and original research, and marked throughout by Santoro's wide ranging grasp of cultural history, Highway 61 Revisited offers readers a new look at--and a new way of listening to--the many ways jazz has colored the entire range of American popular music in all its dazzling
profusion.
Author: Gene Santoro
Publisher: Oxford University Press, USA
Published: 05/20/2004
Pages: 320
Binding Type: Hardcover
Weight: 1.34lbs
Size: 9.62h x 6.24w x 1.06d
ISBN: 9780195154818
Review Citation(s):
Library Journal 04/15/2004 pg. 89
Booklist 05/01/2004 pg. 1535
New York Times 05/23/2004 pg. 20
As legendary bebop rebel Charlie Parker once put it, If you don't live it, it won't come out of your horn. Unwinding that Zen-like statement, Santoro traces how jazz's existential art has infused outstanding musicians in nearly every wing of American popular music--blues, folk, gospel,
psychedelic rock, country, bluegrass, soul, funk, hiphop--with its parallel process of self-discovery and artistic creation through musical improvisation. Taking less-traveled paths through the last century of American pop, Highway 61 Revisited maps unexpected musical and cultural links between such
apparently disparate figures as Louis Armstrong, Willie Nelson, Bob Dylan and Herbie Hancock; Miles Davis, Lenny Bruce, The Grateful Dead, Bruce Springsteen, and many others. Focusing on jazz's power to connect, Santoro shows how the jazz milieu created a fertile space where whites and blacks could
meet in America on something like equal grounds, and indeed where art and entertainment, politics and poetry, mainstream culture and its subversive offshoots were drawn together in a heady mix whose influence has proved both far-reaching and seemingly inexhaustible.
Combining interviews and original research, and marked throughout by Santoro's wide ranging grasp of cultural history, Highway 61 Revisited offers readers a new look at--and a new way of listening to--the many ways jazz has colored the entire range of American popular music in all its dazzling
profusion.
Author: Gene Santoro
Publisher: Oxford University Press, USA
Published: 05/20/2004
Pages: 320
Binding Type: Hardcover
Weight: 1.34lbs
Size: 9.62h x 6.24w x 1.06d
ISBN: 9780195154818
Review Citation(s):
Library Journal 04/15/2004 pg. 89
Booklist 05/01/2004 pg. 1535
New York Times 05/23/2004 pg. 20
About the Author
Gene Santoro is jazz and popular music critic for The Nation. His writing has appeared in The Atlantic Monthly, The New York Times, The Village Voice, Rolling Stone, and Down Beat. He is the author of two volumes of essays, Dancing in Your Head and Stir It Up, as well as the widely praised biography Myself When I Am Real: The Life and Music of Charles Mingus. He divides his time between New York City and Shokan.
This title is not returnable
