J. M. W. Turner: The Making of a Modern Artist
J. M. W. Turner: The Making of a Modern Artist
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Alone of his contemporaries, J.M.W. Turner is commonly held to have prefigured modern painting, as signalled in the existence of The Turner Prize for contemporary art. Our celebration of his achievement is very different to what Victorian critics made of his art. This book shows how Turner was
reinvented to become the artist we recognise today. On Turner's death in 1851 he was already known as an adventurous, even baffling, painter. But when the Court of Chancery decreed that the contents of his studio should be given to the nation, another side of his art was revealed that effected a wholescale change in his reputation. This book acts as
a guide to the reactions of art writers and curators from the 1850s to the 1960s as they attempted to come to terms with his work. It documents how Turner was interpreted and how his work was displayed in Britain, in Europe and in North America, concentrating on the ways in which his artistic
identity was manipulated by art writers, by curators at the Tate and by designers of exhibitions for the British Council and other bodies.
Author: Sam Smiles
Publisher: Manchester University Press
Published: 12/01/2007
Pages: 240
Binding Type: Hardcover
Weight: 1.60lbs
Size: 9.63h x 7.00w x 0.84d
ISBN: 9780719077081
reinvented to become the artist we recognise today. On Turner's death in 1851 he was already known as an adventurous, even baffling, painter. But when the Court of Chancery decreed that the contents of his studio should be given to the nation, another side of his art was revealed that effected a wholescale change in his reputation. This book acts as
a guide to the reactions of art writers and curators from the 1850s to the 1960s as they attempted to come to terms with his work. It documents how Turner was interpreted and how his work was displayed in Britain, in Europe and in North America, concentrating on the ways in which his artistic
identity was manipulated by art writers, by curators at the Tate and by designers of exhibitions for the British Council and other bodies.
Author: Sam Smiles
Publisher: Manchester University Press
Published: 12/01/2007
Pages: 240
Binding Type: Hardcover
Weight: 1.60lbs
Size: 9.63h x 7.00w x 0.84d
ISBN: 9780719077081
About the Author
Sam Smiles is Professor of Art History at the University of Plymouth