Mahler's Voices: Expression and Irony in the Songs and Symphonies
Mahler's Voices: Expression and Irony in the Songs and Symphonies
without warning in a way that often bewildered his contemporaries. Ranging freely across Mahler's symphonies and songs in a thoughtful and thorough study of his musical speech, Julian Johnson considers how this body of music foregrounds the idea of artifice, construction and musical convention while
at the same time presenting itself as act of authentic expression and disclosure. Mahler's Voices explores the shaping of this music through strategies of calling forth its own mysterious voice--as if from nature or the Unconscious--while at other times revealing itself as a made object, often
self-consciously assembled from familiar and well-worn materials. A unique study not of Mahler's works as such but of Mahler's musical style, Mahler's Voices brings together a close reading of the renowned composer's music with wide-ranging cultural and historical interpretation. Through a radical self-awareness that links the romantic irony of the late
18th-century to the deconstructive attitude of the late 20th-century, Mahler's music forces us to rethink historical categories themselves. Yet what sets it apart, what continues to fascinate and disturb, is the music's ultimate refusal of this position, acknowledging the conventionality of all its
voices while at the same time, in the intensity of its tone, speaking as if what it said were true. However bound up with the Viennese modernism that Mahler prefigured, the urgency of this act remains powerfully resonant for our own age.
Author: Julian Johnson
Publisher: Oxford University Press, USA
Published: 04/01/2009
Pages: 376
Binding Type: Hardcover
Weight: 1.50lbs
Size: 9.20h x 6.20w x 1.20d
ISBN: 9780195372397
About the Author
Julian Johnson is Professor of Music, Department of Music at Royal Holloway, University of London. From 2001-2007 he was a Reader in Music and a Fellow of St. Anne's College at the University of Oxford, and recipient of the Dent Medal (2005) awarded by the Royal Musical Association for outstanding contributions to musicology. Author of Webern and the Transformation of Nature (Cambridge, 1999) and Who Needs Classical Music? (OUP, 2002).
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