In this ground-breaking study, Mary Floyd-Wilson argues that the early modern English believed their affections and behavior were influenced by hidden sympathies and antipathies that coursed through the natural world. These forces not only produced emotional relationships but they were also levers by which ordinary people supposed they could manipulate nature and produce new knowledge. Indeed, it was the invisibility of nature's secrets--or occult qualities--that led to a privileging of experimentation, helping to displace a reliance on ancient theories. Floyd-Wilson demonstrates how Renaissance drama participates in natural philosophy's production of epistemological boundaries by staging stories that assess the knowledge-making authority of women healers and experimenters. Focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All's Well That Ends Well, The Changeling, and The Duchess of Malfi, Floyd-Wilson suggests that as experiential evidence gained scientific ground, women's presumed intimacy with nature's secrets was either diminished or demonized.
Author: Mary Floyd-Wilson Publisher: Cambridge University Press Published: 10/01/2015 Pages: 250 Binding Type: Paperback Weight: 0.75lbs Size: 9.00h x 6.00w x 0.53d ISBN: 9781107559370
About the Author Floyd-Wilson, Mary: - Mary Floyd-Wilson is Associate Professor of English and Comparative Literature at the University of North Carolina, Chapel Hill. A recipient of a National Humanities Center Fellowship, she is the author of English Ethnicity and Race in Early Modern Drama (2006) and the co-editor of Reading the Early Modern Passions: A Cultural History of Emotions (with Gail Kern Paster and Katherine Rowe, 2004) and Embodiment and Environment in Early Modern England (with Garrett A. Sullivan, Jr, 2007). She has published articles in Shakespeare Quarterly, English Literary Renaissance, Early Modern Literary Studies and Shakespeare Studies, and has co-edited a special issue of Renaissance Drama.
