Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Hal Vy's La Juive

This is the first critical study of the nineteenth-century French grand opera La Juive (Paris Opera, 1835) a powerful and successful work by the leading dramatist and librettist, Eugene Scribe, and conservatoire-trained composer, Fromental Halévy. Hallman explores the politically charged messages of the opera within the context of French social and cultural history. The book addresses the opera's portrayal of religious intolerance, Jewish-Christian conflict, and also considers the portrayal of the central Jewish characters in light of literary stereotypes and contradictory, antisemitic attitudes toward Jews in French society.

Author: Diana R. Hallman
Publisher: Cambridge University Press
Published: 08/16/2007
Pages: 412
Binding Type: Paperback
Weight: 1.33lbs
Size: 9.00h x 6.00w x 0.92d
ISBN: 9780521038812

About the Author
Hallman, Diana R.: - Diana Hallman is Associate Professor of Musicology at the University of Kentucky. She is a contributing author to the Cambridge Companion to Grand Opera (2003) edited by David Charlton, and has written articles and reviews concerning Halévy and the politics of French grand opéra, as well as an article on the librettist Ludovic Halévy, in the Dictionary of Literary Biography, 1998. She was a featured speaker for the BBC's live broadcast of La Juive from the Vienna Staatsoper, 1999. Dr Hallman's research interests also include the history of American concert life and performance, and she is completing a book on turn-of-the-century Austrian-American pianist Fannie Bloomfield Zeisler.

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