Duke University Press
Reading Country Music: Steel Guitars, Opry Stars, and Honky Tonk Bars
Reading Country Music: Steel Guitars, Opry Stars, and Honky Tonk Bars
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Bringing together a wide range of scholars and critics from literature, communications, history, sociology, art, and music, this anthology looks at everything from the inner workings of the country music industry to the iconography of certain stars to the development of distinctive styles within the country music genre. Essays include a look at the shift from "hard-core" to "soft-shell" country music in recent years; Johnny Cash as lesbian icon; gender, class, and region in Dolly Parton's star image; and bluegrass's gothic tradition. Originally published as a special issue of South Atlantic Quarterly, this expanded book edition includes new articles on the spirituality of Willie Nelson, the legacy and tradition of stringed music, and the revival of Stephen Foster's blackface musical, among others.
Contributors. Mary A. Bufwack, Don Cusic, Curtis W. Ellison, Mark Fenster, Vivien Green Fryd, Teresa Goddu, T. Walter Herbert, Christine Kreyling, Michael Kurek, Amy Schrager Lang, Charmaine Lanham, Bill Malone, Christopher Metress, Jocelyn Neal, Teresa Ortega, Richard A. Peterson, Ronnie Pugh, John W. Rumble, David Sanjek, Cecelia Tichi, Pamela Wilson, Charles K. Wolfe
Author: Cecelia Tichi
Publisher: Duke University Press
Published: 07/23/1998
Pages: 424
Binding Type: Paperback
Weight: 1.23lbs
Size: 9.00h x 6.00w x 0.86d
ISBN: 9780822321682
Review Citation(s):
Univ PR Books for Public Libry 01/01/1999 pg. 50 - Strongly Recommended
Library Journal 09/15/1998
About the Author
Cecelia Tichi is William R. Kenan Jr. Professor of English and Director of American and Southern Studies at Vanderbilt University. She is the author of High Lonesome: The American Culture of Country Music.
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