Oxford University Press, USA
Recognition in Mozart's Operas
Recognition in Mozart's Operas
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Since its beginnings, opera has depended on recognition as a central aspect of both plot and theme. Though a standard feature of opera, recognition--a moment of new awareness that brings about a crucial reversal in the action--has been largely neglected in opera studies. In Recognition in
Mozart's Operas, musicologist Jessica Waldoff draws on a broad base of critical thought on recognition from Aristotle to Terence Cave to explore the essential role it plays in Mozart's operas. The result is a fresh approach to the familiar question of opera as drama and a persuasive new reading of
Mozart's operas.
Author: Jessica Waldoff
Publisher: Oxford University Press, USA
Published: 08/26/2011
Pages: 352
Binding Type: Paperback
Weight: 1.09lbs
Size: 9.21h x 6.14w x 0.73d
ISBN: 9780199856305
Mozart's Operas, musicologist Jessica Waldoff draws on a broad base of critical thought on recognition from Aristotle to Terence Cave to explore the essential role it plays in Mozart's operas. The result is a fresh approach to the familiar question of opera as drama and a persuasive new reading of
Mozart's operas.
Author: Jessica Waldoff
Publisher: Oxford University Press, USA
Published: 08/26/2011
Pages: 352
Binding Type: Paperback
Weight: 1.09lbs
Size: 9.21h x 6.14w x 0.73d
ISBN: 9780199856305
About the Author
Jessica Waldoff is an Associate Professor of Music and Chair of the Department of Music at College of the Holy Cross in Worcester, Massachusetts.
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