Scents and Sensibility: Perfume in Victorian Literary Culture

This lively, accessible book is the first to explore Victorian literature through scent and perfume, presenting an extensive range of well-known and unfamiliar texts in intriguing and imaginative new ways that make us re-think literature's relation with the senses. Concentrating on aesthetic and decadent authors, Scents and Sensibility introduces a rich selection of poems, essays, and fiction, exploring these texts with reference to both the little-known cultural history of perfume use and the appreciation of natural fragrance in Victorian Britain. It shows how scent and perfume are used to convey not merely moods and atmospheres but the nuances of the aesthete or decadent's carefully cultivated identity, personality, or sensibility.

A key theme is the emergence of the olfactif, the cultivated individual with a refined sense of smell, influentially represented by the poet and critic Algernon Charles Swinburne, who is emulated by a host of canonical and less well-known aesthetic and decadent successors such as Walter Pater, Edmund Gosse, John Addington Symonds, Lafcadio Hearn, Michael Field, Oscar Wilde, Arthur Symons, Mark Andre Raffalovich, Theodore Wratislaw, and A. Mary F. Robinson. This book explores how scent and perfume pervade the work of these authors in many different ways, signifying such diverse things as style, atmosphere, influence, sexuality, sensibility, spirituality, refinement, individuality, the expression of love and poetic creativity, and the aura of personality, dandyism, modernity, and memory. A coda explores the contrasting twentieth-century responses of Virginia Woolf and Compton Mackenzie to the scent of Victorian literature.


Author: Catherine Maxwell
Publisher: Oxford University Press (UK)
Published: 12/26/2017
Pages: 388
Binding Type: Hardcover
Weight: 1.90lbs
Size: 9.30h x 6.10w x 1.00d
ISBN: 9780198701750

About the Author
Catherine Maxwell, Professor of Victorian Literature, Queen Mary, University of London

Catherine Maxwell read English literature for her BA and D.Phil. at St Hugh's College, Oxford where she was subsequently a British Academy Postdoctoral Fellow from 1990-1993. She then joined the School of English and Drama at Queen Mary, University of London, becoming Professor of Victorian Literature in 2009. She is the author of The Female Sublime from Milton to Swinburne: Bearing Blindness (Manchester University Press, 2001), Swinburne (Northcote House, 2006), and Second Sight: The Visionary Imagination in Late Victorian Literature (Manchester University Press, 2008), as well as numerous articles on Victorian poetry and prose.