The Commodification of Identity in Victorian Narrative: Autobiography, Sensation, and the Literary Marketplace

In the first half of the nineteenth century autobiography became, for the first time, an explicitly commercial genre. Drawing together quantitative data on the Victorian book market, insights from the business ledgers of Victorian publishers and close readings of mid-century novels, Sean Grass demonstrates the close links between these genres and broader Victorian textual and material cultures. This book offers fresh perspectives on major works by Charles Dickens, George Eliot, Mary Elizabeth Braddon, Wilkie Collins and Charles Reade, while also featuring archival research that reveals the volume, diversity, and marketability of Victorian autobiographical texts for the first time. Grass presents life-writing not as a stand-alone genre, but as an integral part of a broader movement of literary, cultural, legal and economic practices through which the Victorians transformed identity into a textual object of capitalist exchange.

Author: Sean Grass
Publisher: Cambridge University Press
Published: 10/31/2019
Pages: 296
Binding Type: Hardcover
Weight: 1.20lbs
Size: 9.40h x 7.15w x 0.79d
ISBN: 9781108484459

Review Citation(s):
Choice 06/01/2020

About the Author
Grass, Sean: - Sean Grass is Professor of English at the Rochester Institute of Technology and is the author of The Self in the Cell: Narrating the Victorian Prisoner (2003), Charles Dickens's 'Our Mutual Friend': A Publishing History (2014), and several essays on Victorian literature and culture. He received two awards from the National Endowment for the Humanities in support of the current work.