Oxford University Press, USA
The Oxford Handbook of New Audiovisual Aesthetics
The Oxford Handbook of New Audiovisual Aesthetics
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This handbook offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals-producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres
are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too-from street to stadium to classroom-would at times be hardly recognizable to the
mid-twentieth-century subject. The Oxford Handbook of New Audiovisual Aesthetics provides powerful ways to understand these changes. Earlier approaches tended to consider sound and music as secondary to image and narrative. These remained popular even as practices from theater, cinema and television migrated across media. However, the traversal, or remediation, from one medium to another has also provided practitioners and
audiences the chance to rewrite the rules of the audiovisual contract. Whether viewed from the vantage of televised mainstream culture, the Hollywood film industry, the cinematic avant-garde, or the participatory discourses of cyberspace, audiovisual expression has changed dramatically. The book provides a definitive cross-section of current ways of thinking about sound and image. Its authors-leading scholars and promising younger ones, audiovisual practitioners and non-academic writers (both mainstream and independent)- open the discussion on audiovisual aesthetics in new
directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and
cultural approaches to questions concerning today's sound and image. All consider the aural dimension, and what Michel Chion calls audio-vision: the sensory and semiotic result of sound placed with vision, an encounter greater than their sum.
Author: John Richardson
Publisher: Oxford University Press, USA
Published: 04/01/2015
Pages: 752
Binding Type: Paperback
Weight: 2.65lbs
Size: 9.50h x 6.60w x 1.70d
ISBN: 9780190244590
are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too-from street to stadium to classroom-would at times be hardly recognizable to the
mid-twentieth-century subject. The Oxford Handbook of New Audiovisual Aesthetics provides powerful ways to understand these changes. Earlier approaches tended to consider sound and music as secondary to image and narrative. These remained popular even as practices from theater, cinema and television migrated across media. However, the traversal, or remediation, from one medium to another has also provided practitioners and
audiences the chance to rewrite the rules of the audiovisual contract. Whether viewed from the vantage of televised mainstream culture, the Hollywood film industry, the cinematic avant-garde, or the participatory discourses of cyberspace, audiovisual expression has changed dramatically. The book provides a definitive cross-section of current ways of thinking about sound and image. Its authors-leading scholars and promising younger ones, audiovisual practitioners and non-academic writers (both mainstream and independent)- open the discussion on audiovisual aesthetics in new
directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and
cultural approaches to questions concerning today's sound and image. All consider the aural dimension, and what Michel Chion calls audio-vision: the sensory and semiotic result of sound placed with vision, an encounter greater than their sum.
Author: John Richardson
Publisher: Oxford University Press, USA
Published: 04/01/2015
Pages: 752
Binding Type: Paperback
Weight: 2.65lbs
Size: 9.50h x 6.60w x 1.70d
ISBN: 9780190244590
About the Author
John Richardson is Professor of Musicology at the University of Turku, Finland, and author of An Eye for Music: Popular Music and the Audiovisual Surreal (2011) and Singing Archeology: Philip Glass's Akhnaten (1999).
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