The Performance of the Basso Continuo in Italian Baroque Music

Covers the Italian Baroque period (1600-1730). Borgir rejects the notion that the basso continuo line is doubled by bass instruments and shows how these have an independent musical function in ensemble music. He untangles their confusing terminology and also explores the unexpected uses of the large lutes. Italian continuo practice included elaborate training in improvisation described in detail here for the first time. Tharald Borgir is professor emeritus in the music department at Oregon State University and an accomplished pianist.

Author: Tharald Borgir
Publisher: University of Rochester Press
Published: 03/01/1991
Pages: 188
Binding Type: Paperback
Weight: 0.58lbs
Size: 9.00h x 6.00w x 0.40d
ISBN: 9780835719124

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