Thomas of Woodstock

This anonymous manuscript play has long been the subject of scholarly dispute regarding its relationship with Shakespeare's "Richard II". This edition, which thoroughly re-examines the text, situates the play within its historical and political context, relating it to the genre of chronicle drama to which it belongs. The manuscript is of particular interest in that it appears to have been used in the playhouse over a considerable period of time and contains what seems to be evidence of the theatre practice of the time. The marginalia, including 'false' entries, actors' names, instructions for omission, references to stage properties and cues for musical effects, etc., are documented in an Appendix and discussed in the Introduction. The play is also of special interest for its skilful and original handling of source material which may well have influenced Shakespeare's "Richard II". The extensive appendices drawn from Holinshed, Grafton and Stow provide the reader with the opportunity to investigate the manner in which the dramatist has shaped the material. The editors argue for the play's stage-worthiness and dramatic complexity, suggesting that its range both of dramatic tone and social inclusiveness indicate the work of a dramatist of considerable skill and subtlety, equal or superior to the Shakespeare of the Henry VI plays.

Author: Peter Corbin
Publisher: Manchester University Press
Published: 05/01/2009
Pages: 232
Binding Type: Paperback
Weight: 0.64lbs
Size: 8.50h x 5.50w x 0.52d
ISBN: 9780719080678

About the Author

Peter Corbin was General Editor of the Revels Plays Companion Library and is Honorary Fellow in the School of Drama and Music at the University of Exeter

Douglas Sedge is Honorary Fellow in the School of Drama and Music at the University of Exeter