Voice Lessons: French Mélodie in the Belle Epoque

Language, education, science, and song come together in surprising ways in Katherine Bergeron's new history of music in the Belle Epoque. Voice Lessons examines the modern musical art known as la mélodie française and its rise to prominence in the years around 1900-a period when France was
pouring resources into national literacy and French scholars were beginning to grasp the nuances of the spoken tongue. Bergeron explores the relationship between the free, secular, and compulsory school system of the Third Republic, and the experimental sciences of language that grew alongside it,
to observe the ways in which both science and school redefined the verbal arts in France at century's end.

The music of Fauré, Debussy, and Ravel; the writings of Mallarmé, Rimbaud, and Verlaine; the performances of Maggie Teyte, Reynaldo Hahn, and Sarah Bernhardt; the linguistic studies of Paul Passy and Abbé Rousselot: all these sources offer evidence of the new ideas of expression that proliferated
during one of the most idealistic moments in French musical history, when poets, composers, actors, singers, and scientists all learned to imagine-and to speak-their language in new ways. Through close readings of songs, poems, sound recordings, and other historical records, Voice Lessons narrates
the development of a rare musical art, seeking to explain why this art emerged, why it mattered, and why it eventually disappeared.


Author: Katherine Bergeron
Publisher: Oxford University Press, USA
Published: 01/01/2010
Pages: 424
Binding Type: Hardcover
Weight: 1.60lbs
Size: 9.10h x 6.50w x 1.20d
ISBN: 9780195337051

About the Author

Katherine Bergeron is Dean of the College and Professor of Music at Brown University

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