Who Set You Flowin'?: The African-American Migration Narrative
Who Set You Flowin'?: The African-American Migration Narrative
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Twentieth-century America has witnessed the most widespread and sustained movement of African-Americans from the South to urban centers in the North. Who Set You Flowin'? examines the impact of this dislocation and urbanization, identifying the resulting Migration Narratives as a major genre
in African-American cultural production. Griffin takes an interdisciplinary approach with readings of several literary texts, migrant correspondence, painting, photography, rap music, blues, and rhythm and blues. From these various sources Griffin isolates the tropes of Ancestor, Stranger, and Safe
Space, which, though common to all Migration Narratives, vary in their portrayal. She argues that the emergence of a dominant portrayal of these tropes is the product of the historical and political moment, often challenged by alternative portrayals in other texts or artistic forms, as well as
intra-textually. Richard Wright's bleak, yet cosmopolitan portraits were countered by Dorothy West's longing for Black Southern communities. Ralph Ellison, while continuing Wright's vision, reexamined the significance of Black Southern culture. Griffin concludes with Toni Morrison embracing the
South as a site of African-American history and culture, a place to be redeemed.
Author: Farah Jasmine Griffin
Publisher: Oxford University Press, USA
Published: 05/25/1995
Pages: 248
Binding Type: Hardcover
Weight: 1.15lbs
Size: 6.20h x 9.10w x 0.90d
ISBN: 9780195088960
Review Citation(s):
Booklist 02/15/1995 pg. 1055
in African-American cultural production. Griffin takes an interdisciplinary approach with readings of several literary texts, migrant correspondence, painting, photography, rap music, blues, and rhythm and blues. From these various sources Griffin isolates the tropes of Ancestor, Stranger, and Safe
Space, which, though common to all Migration Narratives, vary in their portrayal. She argues that the emergence of a dominant portrayal of these tropes is the product of the historical and political moment, often challenged by alternative portrayals in other texts or artistic forms, as well as
intra-textually. Richard Wright's bleak, yet cosmopolitan portraits were countered by Dorothy West's longing for Black Southern communities. Ralph Ellison, while continuing Wright's vision, reexamined the significance of Black Southern culture. Griffin concludes with Toni Morrison embracing the
South as a site of African-American history and culture, a place to be redeemed.
Author: Farah Jasmine Griffin
Publisher: Oxford University Press, USA
Published: 05/25/1995
Pages: 248
Binding Type: Hardcover
Weight: 1.15lbs
Size: 6.20h x 9.10w x 0.90d
ISBN: 9780195088960
Review Citation(s):
Booklist 02/15/1995 pg. 1055
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