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Oxford University Press, USA
America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture
America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture
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America is Elsewhere provides a rigorous and creative reconsideration of hard-boiled crime fiction and the film noir tradition within three related postwar contexts: 1) the rise of the consumer republic in the United States after World War II 2) the challenge to traditional notions of
masculinity posed by a new form of citizenship based in consumption, and 3) the simultaneous creation of authenticity effects -- representational strategies designed to safeguard an image of both the American male and America itself outside of and in opposition to the increasingly omnipresent
marketplace. Films like Double Indemnity, Ace in the Hole, and Kiss Me Deadly alongside novels by Dashiel Hammett and Raymond Chandler provide rich examples for the first half of the study. The second is largely devoted to works less commonly understood in relation to the hard-boiled and noir canon.
Examinations of the conspiracy films from the Seventies and Eighties -- like Klute and The Parallax View -- novels by Thomas Pynchon, Chester Himes and William Gibson reveal the persistence and evolution of these authenticity effects across the second half of the American twentieth century.
Author: Erik Dussere
Publisher: Oxford University Press, USA
Published: 11/01/2013
Pages: 320
Binding Type: Paperback
Weight: 1.01lbs
Size: 9.10h x 6.10w x 0.90d
ISBN: 9780199969920
Review Citation(s):
Choice 06/01/2014
masculinity posed by a new form of citizenship based in consumption, and 3) the simultaneous creation of authenticity effects -- representational strategies designed to safeguard an image of both the American male and America itself outside of and in opposition to the increasingly omnipresent
marketplace. Films like Double Indemnity, Ace in the Hole, and Kiss Me Deadly alongside novels by Dashiel Hammett and Raymond Chandler provide rich examples for the first half of the study. The second is largely devoted to works less commonly understood in relation to the hard-boiled and noir canon.
Examinations of the conspiracy films from the Seventies and Eighties -- like Klute and The Parallax View -- novels by Thomas Pynchon, Chester Himes and William Gibson reveal the persistence and evolution of these authenticity effects across the second half of the American twentieth century.
Author: Erik Dussere
Publisher: Oxford University Press, USA
Published: 11/01/2013
Pages: 320
Binding Type: Paperback
Weight: 1.01lbs
Size: 9.10h x 6.10w x 0.90d
ISBN: 9780199969920
Review Citation(s):
Choice 06/01/2014
About the Author
Erik Dussere is Associate Professor of Literature at American University. He is the author of Balancing the Books: Faulkner, Morrison, and the Economies of Slavery.
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