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Edinburgh University Press

Cinema and Sensation: French Film and the Art of Transgression

Cinema and Sensation: French Film and the Art of Transgression

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This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses.France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema's sensory impact and transgressive nature: Adieu; A ma soeur; Baise-moi; Beau Travail; La Blessure; La Captive; Dans ma peau; Demonlover; L'Humanité; Flandres; L'Intrus; Les Invisibles; Lady Chatterley; Leçons de ténèbres; Romance; Sombre; Tiresia; Trouble Every Day; Twentynine Palms; Vendredi soir; La Vie nouvelle; Wild Side; Zidane, un portrait du XXIème siècle. These films, amongst others, typify a willingness to explore cinema's unique capacity to move us both viscerally and intellectually. Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream

Author: Martine Beugnet
Publisher: Edinburgh University Press
Published: 02/20/2012
Pages: 202
Binding Type: Paperback
Weight: 0.65lbs
Size: 9.10h x 6.00w x 0.50d
ISBN: 9780748649365

About the Author

Martine Beugnet is Reader in Film Studies at the University of Edinburgh.

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