Experimental Latin American Cinema: History and Aesthetics

While there are numerous film studies that focus on one particular grouping of films-by nationality, by era, or by technique-here is the first single volume that incorporates all of the above, offering a broad overview of experimental Latin American film produced over the last twenty years. Analyzing seventeen recent films by eleven different filmmakers from Argentina, Brazil, Cuba, Mexico, Paraguay, and Peru, Cynthia Tompkins uses a comparative approach that finds commonalities among the disparate works in terms of their influences, aesthetics, and techniques. Tompkins introduces each film first in its sociohistorical context before summarizing it and then subverting its canonical interpretation. Pivotal to her close readings of the films and their convergences as a collective cinema is Tompkins's application of Deleuzian film theory and the concept of the time-image as it pertains to the treatment of time and repetition. Tompkins also explores such topics as the theme of decolonization, the consistent use of montage, paratactically structured narratives, and the fusion of documentary conventions and neorealism with drama. An invaluable contribution to any dialogue on the avant-garde in general and to filmmaking both in and out of Latin America, Experimental Latin American Cinema is also a welcome and insightful addition to Latin American studies as a whole.

Author: Cynthia Tompkins
Publisher: University of Texas Press
Published: 02/15/2013
Pages: 306
Binding Type: Paperback
Weight: 0.99lbs
Size: 9.00h x 6.00w x 0.69d
ISBN: 9780292762091

About the Author
CYNTHIA TOMPKINS, an Associate Professor of Spanish and Latin American Cultural Production at Arizona State University, was born and raised in Argentina. She is the author of Latin American Postmodernisms: Women Writers and Experimentation, as well as a significant number of refereed articles, and has translated and coedited numerous other publications.