Intimations: The Cinema of Wojciech Has

In this first study in English of a master of Polish cinema, Annette Insdorf explores Has's thirteen feature films with the same deep insight of her groundbreaking book on Krzysztof Kieslowski, Double Lives, Second Chances (Northwestern, 2013).

Wojciech Has's films are still less known outside of his native Poland than those of his countrymen Andrzej Wajda, Krzysztof Zanussi, and Krzysztof Kieslowski. Yet thanks to his singular vision, many critics rank Has among the masters of world cinema. Some of his movies have developed a cult following, notably The Saragossa Manuscript, the favorite film of the Grateful Dead's Jerry Garcia, which has been praised by directors such as Luis Buñuel, Francis Ford Coppola, and Roman Polanski.

Has's films reveal the inner lives of his characters, which he portrays by giving free rein to his own wildly creative imagination. In addition toThe Saragossa Manuscript, his diverse and innovative filmography includes The Hourglass Sanatorium, a vividly surreal depiction of Hassidic life in Poland between the world wars; The Noose, a stark poetic drama about a lucid alcoholic who knows he will not be able to kick the habit; and How to Be Loved, in which an actress remembers her wartime past.

Has made disparate but formally striking movies infused with European strains of existentialism and the avant-garde. With many of his films being restored and rereleased, new generations of film lovers are discovering his artistic genius. Intimations: The Cinema of Wojciech Has is the definitive guide in English to his work.


Author: Annette Insdorf
Publisher: Northwestern University Press
Published: 05/15/2017
Pages: 160
Binding Type: Paperback
Weight: 0.50lbs
Size: 8.80h x 6.00w x 0.50d
ISBN: 9780810135048

Review Citation(s):
Choice 10/01/2017

About the Author
ANNETTE INSDORF is a professor of film in Columbia University's School of the Arts, and moderator of the "Reel Pieces" series at Manhattan's 92nd Street Y. Her books include Fran?ois Truffaut; Indelible Shadows: Film and the Holocaust; and Philip Kaufman.