Out of Time: Music and the Making of Modernity
Out of Time: Music and the Making of Modernity
itself is also enriched by the specific insights of music. The result is a rehearing of modernity and a rethinking of music - an account that challenges ideas of linear progress and reconsiders the common concerns of music, old and new. If all music since 1600 is modern music, the similarities between Monteverdi and Schoenberg, Bach and Stravinsky, or Beethoven and Boulez, become far more significant than their obvious differences. Johnson elaborates this idea in relation to three related areas of experience - temporality, history
and memory; space, place and technology; language, the body, and sound. Criss-crossing four centuries of Western culture, he moves between close readings of diverse musical examples (from the madrigal to electronic music) and drawing on the history of science and technology, literature, art,
philosophy, and geography. Against the grain of chronology and the usual divisions of music history, Johnson proposes profound connections between musical works from quite different times and places. The multiple lines of the resulting map, similar to those of the London Underground, produce a
bewildering network of plural connections, joining Stockhausen to Galileo, music printing to sound recording, the industrial revolution to motivic development, steam trains to waltzes. A significant and groundbreaking work, Out of Time is essential reading for anyone interested in the history of music and modernity.
Author: Julian Johnson
Publisher: Oxford University Press, USA
Published: 03/31/2015
Pages: 400
Binding Type: Hardcover
Weight: 1.50lbs
Size: 9.20h x 6.50w x 1.20d
ISBN: 9780190233273
Review Citation(s):
Choice 03/01/2016
About the Author
Julian Johnson is Regius Professor of Music at Royal Holloway, University of London, having previously been a Reader in Music at the University of Oxford. He has published widely on music from the 18th century to contemporary music, with a particular focus on Modernism, musical aesthetics, and questions of music's cultural meaning and value. He was for many years an active composer, a background that continues to shape his perspectives as a musicologist.
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