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Oxford University Press, USA
Please Please Me: Sixties British Pop, Inside Out
Please Please Me: Sixties British Pop, Inside Out
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The Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections,
contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups
and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews musicians, songwriters, music directors, and producers and engineers who worked with the best-known performers of
the era. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process.
Author: Gordon Thompson
Publisher: Oxford University Press, USA
Published: 09/10/2008
Pages: 360
Binding Type: Paperback
Weight: 1.12lbs
Size: 9.24h x 6.68w x 0.77d
ISBN: 9780195333251
Review Citation(s):
Choice 03/01/2009
contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups
and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews musicians, songwriters, music directors, and producers and engineers who worked with the best-known performers of
the era. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process.
Author: Gordon Thompson
Publisher: Oxford University Press, USA
Published: 09/10/2008
Pages: 360
Binding Type: Paperback
Weight: 1.12lbs
Size: 9.24h x 6.68w x 0.77d
ISBN: 9780195333251
Review Citation(s):
Choice 03/01/2009
About the Author
Gordon Thompson is Professor of Music at Skidmore College.
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