Print and the Poetics of Modern Drama

The question of the materiality of the book has surprising consequences when applied to dramatic writing. W.B. Worthen asks how the print form of drama bears on how we understand its dual identity--as play texts and in performance. Beginning with the most salient modern critique of printed drama, arising in the field of Shakespeare editing, Worthen then looks at the ways such playwrights and performance artists as Bernard Shaw, Gertrude Stein, Harold Pinter, Samuel Beckett, Anna Deavere Smith, and Sarah Kane stage the poetics of modern drama in the poetics of the page.

Author: W. B. Worthen
Publisher: Cambridge University Press
Published: 03/19/2009
Pages: 224
Binding Type: Paperback
Weight: 0.74lbs
Size: 9.02h x 5.98w x 0.51d
ISBN: 9780521602693

About the Author
Worthen, W. B.: - W. B. Worthen is Professor and Chair of the Department of Theater, Dance, and Performance Studies at the University of California at Berkeley. He is the author of The Idea of the Actor (1984), Modern Drama and the Rhetoric of Theater (1992), Shakespeare and the Authority of Performance (Cambridge, 1997), and of Shakespeare and the Force of Modern Performance (Cambridge, 2003). He has served as the editor of Theatre Journal and as the coeditor of Modern Drama, and has published widely in professional journals. He is also the editor of the widely-used Wadsworth Anthology of Drama and of Modern Drama: Plays/Criticism/Theory, which won the 1995 Association for Theatre in Higher Education Research Award.

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