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Oxford University Press, USA
Red Britain: The Russian Revolution in Mid-Century Culture
Red Britain: The Russian Revolution in Mid-Century Culture
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Red Britain sets out a provocative rethinking of the cultural politics of mid-century Britain by drawing attention to the extent, diversity, and longevity of the cultural effects of the Russian Revolution. Drawing on new archival research and historical scholarship, this book explores the
conceptual, discursive, and formal reverberations of the Bolshevik Revolution in British literature and culture. It provides new insight into canonical writers including Doris Lessing, George Orwell, Dorothy Richardson, H.G Wells, and Raymond Williams, as well bringing to attention a cast of
less-studied writers, intellectuals, journalists, and visitors to the Soviet Union. Red Britain shows that the cultural resonances of the Russian Revolution are more far-reaching and various than has previously been acknowledged. Each of the five chapters takes as its subject one particular problem or debate, and investigates the ways in which it was politicised as a result of the
Russian Revolution and the subsequent development of the Soviet state. The chapters focus on the idea of the future; numbers and arithmetic; law and justice; debates around agriculture and landowning; and finally orality, literacy, and religion. In all of these spheres, Red Britain shows how the
medievalist, romantic, oral, pastoral, anarchic, and ethical emphases of English socialism clashed with, and were sometimes overwritten by, futurist, utilitarian, literate, urban, statist, and economistic ideas associated with the Bolshevik Revolution.
Author: Matthew Taunton
Publisher: Oxford University Press, USA
Published: 06/04/2019
Pages: 320
Binding Type: Hardcover
Weight: 1.35lbs
Size: 8.60h x 5.70w x 0.90d
ISBN: 9780198817710
Review Citation(s):
Choice 01/01/2020
Benjamin Kohlmann, he co-edited A History of 1930s British Literature (Cambridge UP, 2018), as well as a special issue of Literature & History called Literatures of Anti-Communism (2015). He is deputy editor of Critical Quarterly.
conceptual, discursive, and formal reverberations of the Bolshevik Revolution in British literature and culture. It provides new insight into canonical writers including Doris Lessing, George Orwell, Dorothy Richardson, H.G Wells, and Raymond Williams, as well bringing to attention a cast of
less-studied writers, intellectuals, journalists, and visitors to the Soviet Union. Red Britain shows that the cultural resonances of the Russian Revolution are more far-reaching and various than has previously been acknowledged. Each of the five chapters takes as its subject one particular problem or debate, and investigates the ways in which it was politicised as a result of the
Russian Revolution and the subsequent development of the Soviet state. The chapters focus on the idea of the future; numbers and arithmetic; law and justice; debates around agriculture and landowning; and finally orality, literacy, and religion. In all of these spheres, Red Britain shows how the
medievalist, romantic, oral, pastoral, anarchic, and ethical emphases of English socialism clashed with, and were sometimes overwritten by, futurist, utilitarian, literate, urban, statist, and economistic ideas associated with the Bolshevik Revolution.
Author: Matthew Taunton
Publisher: Oxford University Press, USA
Published: 06/04/2019
Pages: 320
Binding Type: Hardcover
Weight: 1.35lbs
Size: 8.60h x 5.70w x 0.90d
ISBN: 9780198817710
Review Citation(s):
Choice 01/01/2020
About the Author
Matthew Taunton, Senior Lecturer, School of Literature, Drama and Creative Writing, University of East Anglia
Benjamin Kohlmann, he co-edited A History of 1930s British Literature (Cambridge UP, 2018), as well as a special issue of Literature & History called Literatures of Anti-Communism (2015). He is deputy editor of Critical Quarterly.
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