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Oxford University Press
Romani Routes: Cultural Politics and Balkan Music in Diaspora
Romani Routes: Cultural Politics and Balkan Music in Diaspora
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Now that the political and economic plight of European Roma and the popularity of their music are objects of international attention, Romani Routes provides a timely and insightful view into Romani communities both in their home countries and in the diaspora. Over the past two decades, a steady stream of recordings, videos, feature films, festivals, and concerts has presented the music of Balkan Gypsies, or Roma, to Western audiences, who have greeted them with exceptional enthusiasm. Yet, as author Carol Silverman notes, Roma are revered as musicians and reviled as people. In this book, Silverman introduces readers to the people and cultures who produce this music, offering a sensitive and incisive analysis of how Romani musicians address the challenges of discrimination. Focusing on southeastern Europe then moving to the diaspora, her book examines the music within Romani communities, the lives and careers of outstanding musicians, and the marketing of music in the electronic media and "world music" concert circuit. Silverman touches on the way that the Roma exemplify many qualities--adaptability, cultural hybridity, transnationalism--that are taken to characterize late modern experience. And rather than just celebrating these qualities, she presents the musicians as complicated, pragmatic individuals who work creatively within the many constraints that inform their lives.
Author: Carol Silverman
Publisher: Oxford University Press
Published: 05/08/2014
Pages: 438
Binding Type: Paperback
Weight: 1.35lbs
Size: 9.10h x 6.00w x 1.20d
ISBN: 9780199358847
Author: Carol Silverman
Publisher: Oxford University Press
Published: 05/08/2014
Pages: 438
Binding Type: Paperback
Weight: 1.35lbs
Size: 9.10h x 6.00w x 1.20d
ISBN: 9780199358847
About the Author
Carol Silverman, Professor of Anthropology and Folklore at the University of Oregon, has been involved with Romani culture for over 25 years as a researcher, teacher, activist, and performer. Her numerous articles have appeared in anthropology, folklore, ethnomusicology, and cultural studies publications.
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