Romantic Tragedies: The Dark Employments of Wordsworth, Coleridge, and Shelley

Troubled politically and personally, Wordsworth and Coleridge turned in 1797 to the London stage. Their tragedies, The Borderers and Osorio, were set in medieval Britain and early modern Spain to avoid the Lord Chamberlain's censorship. Drury Lane rejected both, but fifteen years later, Coleridge's revision, Remorse, had spectacular success there, inspiring Shelley's 1819 Roman tragedy, The Cenci, aimed for Covent Garden. Reeve Parker makes a striking case for the power of these intertwined works, written against British hostility to French republican liberties and Regency repression of home-grown agitation. Covertly, Remorse and The Cenci also turn against Wordsworth. Stressing the significance of subtly repeated imagery and resonances with Virgil, Shakespeare, Racine, Jean-Fran ois Ducis and Schiller, Parker's close readings, which are boldly imaginative and decidedly untoward, argue that at the heart of these tragedies lie powerful dramatic uncertainties driven by unstable passions - what he calls, adapting Coleridge's phrase for sorcery, 'dark employments'.

Author: Reeve Parker
Publisher: Cambridge University Press
Published: 02/20/2014
Pages: 318
Binding Type: Paperback
Weight: 0.94lbs
Size: 9.00h x 6.00w x 0.67d
ISBN: 9781107644076

About the Author
Parker, Reeve: - Reeve Parker is Professor of English Emeritus at Cornell University, and is also a Life Member of Clare Hall, University of Cambridge.

This title is not returnable