This Life of Sounds
This Life of Sounds
the music directors over the life of the Buffalo group, during the years 1964-1980. Based on Foss's plan, the Rockefeller Foundation provided annual fellowships for young composers and virtuoso instrumentalists to live in Buffalo for up to two years, thus creating a cadre of like-minded musicians
who would spend their time studying, creating, and performing difficult - often controversial - new work. The new legendary group of musicians (some would say musical outlows) who participated in the Buffalo group included Pulitzer Prize winner George Crumb, Terry Riley, Cornelius Cardew, Maryanne
Amacher, Frederic Rzewski, David Tudor, Julius Eastman, and many more. Composers John Cage, Jim Tenney, Iannis Xenakis and others all figure int he story as well. The book provides valuable accounts of the Center's influential concer series, Evenings for New Music, performed in Buffalo, New York and
throughout Europe; its famous recording of Terry Riley's In C; the political activism of the time; and the intersection of academic, private, and institutional funding for the arts. Life magazine declared in an article about the 1965 Fest of the Arts Today titled, Can This Be Buffalo?, Buffalo
exploded last month in a two-week avant garde festival that was bigger and hipper than anything ever held in Paris or New York... The concerts, the festivals, and the adventurous musical climate attracted filmmakers and young visual arts resulting in what one person called one of those kinds of
places the way people talk about Vienna in 1900-1910.
Author: Renee Levine Packer
Publisher: Oxford University Press, USA
Published: 07/23/2010
Pages: 256
Binding Type: Hardcover
Weight: 1.10lbs
Size: 9.30h x 6.10w x 0.80d
ISBN: 9780199730773
About the Author
Born in France, raised in New York and Mexico City, Levine Packer was co-director with Lukas Foss and Morton Feldman of the renowned contemporary music group in Buffalo, New York, and a director of the Contemporary Music Festival at teh California Institute of the Arts. She was Director of the Inter-Arts program at the National Endowment for the Arts, the producer of Steve Reich and Beryl Korot's multimedia opera The Cave, and a dean at the Maryland Institute College of Art. This Life of Sounds: Evenings for New Music in Buffalo received ASCAP's Deems Taylor Award for excellence. Her recent book, with co-editor Mary Jane Leach, Gay Guerrilla: Julius Eastman and His Music was published in 2015.
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